By the Grace of God (François Ozon, 2018)

This film could be set in a political, educational, religious, or any other setting that is built upon a hierarchal ladder; the environment doesn’t matter, as the story’s message is still the same. Based upon the true events from the 2019 conviction of Cardinal Phillipe Barbarin of Lyon for hiding the crimes of Father Bernard … Continue reading By the Grace of God (François Ozon, 2018)

Pain and Glory / Dolor y Gloria (Pedro Almodóvar, 2019): a classic Almodóvarian tale.

I have been avidly waiting for this film, ever since watching Julieta (2016) and knowing his next film would be only two-three years after. Viewing his entire filmography for my dissertation on my small laptop screen was never ideal, so having the opportunity to see Pain and Glory on the cinema screen made the wait … Continue reading Pain and Glory / Dolor y Gloria (Pedro Almodóvar, 2019): a classic Almodóvarian tale.

You Were Never Really Here (Lynne Ramsay, 2017): a director’s recurring visual voice for disturbed characters

Lynne Ramsay’s 2017 film You Were Never Really Here premiered 6 years after her masterpiece We Need to Talk About Kevin, one of my favourite and most-watched films of all time, so it’s surprising how long it’s taken to get around to watching it. The fairly short – 1hr30m – film is a violent-but-not-graphic, intense-but-not-explicit … Continue reading You Were Never Really Here (Lynne Ramsay, 2017): a director’s recurring visual voice for disturbed characters

Beautiful Boy (Felix van Groeningen, 2018)

Two biographies written by father and son respectively, combined together to create a painfully emotional film directed by Felix Van Groeningen, in his English-language directorial debut Beautiful Boy (2018). Beautiful Boy takes the names and stories chronicled in the books Tweak (Nic Sheff) about the author’s own struggle with drug addiction, and his father’s perspective … Continue reading Beautiful Boy (Felix van Groeningen, 2018)

Belle de Jour (Luis Buñuel, 1968)

Buñuel’s masterpiece Belle de Jour (1968) has certainly aged well; the film’s reflection on the hypocrisy of sexuality and eroticism in gender is always a pertinent discussion to be had, even in 2019. The double-standards of sexual exploration and expression are subtly criticised throughout the story of the bored housewife Séverine (Catherine Deneuve) as her … Continue reading Belle de Jour (Luis Buñuel, 1968)