Boy (James Rolleston) This is the first film by Taika Waititi that I’ve seen before, and after viewing it, I’m now looking forward to enjoying Jojo Rabbit, his newest feature, in the cinema. The first impression I got from Boy was a Wes-Anderson-esque feeling, visually and narratively. The characters and the way the shots are … Continue reading Boy (Taika Waititi, 2010)
This film could be set in a political, educational, religious, or any other setting that is built upon a hierarchal ladder; the environment doesn’t matter, as the story’s message is still the same. Based upon the true events from the 2019 conviction of Cardinal Phillipe Barbarin of Lyon for hiding the crimes of Father Bernard … Continue reading By the Grace of God (François Ozon, 2018)
I have been avidly waiting for this film, ever since watching Julieta (2016) and knowing his next film would be only two-three years after. Viewing his entire filmography for my dissertation on my small laptop screen was never ideal, so having the opportunity to see Pain and Glory on the cinema screen made the wait … Continue reading Pain and Glory / Dolor y Gloria (Pedro Almodóvar, 2019): a classic Almodóvarian tale.
Lynne Ramsay’s 2017 film You Were Never Really Here premiered 6 years after her masterpiece We Need to Talk About Kevin, one of my favourite and most-watched films of all time, so it’s surprising how long it’s taken to get around to watching it. The fairly short – 1hr30m – film is a violent-but-not-graphic, intense-but-not-explicit … Continue reading You Were Never Really Here (Lynne Ramsay, 2017): a director’s recurring visual voice for disturbed characters
Two biographies written by father and son respectively, combined together to create a painfully emotional film directed by Felix Van Groeningen, in his English-language directorial debut Beautiful Boy (2018). Beautiful Boy takes the names and stories chronicled in the books Tweak (Nic Sheff) about the author’s own struggle with drug addiction, and his father’s perspective … Continue reading Beautiful Boy (Felix van Groeningen, 2018)
Buñuel’s masterpiece Belle de Jour (1968) has certainly aged well; the film’s reflection on the hypocrisy of sexuality and eroticism in gender is always a pertinent discussion to be had, even in 2019. The double-standards of sexual exploration and expression are subtly criticised throughout the story of the bored housewife Séverine (Catherine Deneuve) as her … Continue reading Belle de Jour (Luis Buñuel, 1968)
Japanese title 'Shoplifters' overlayed opening shots in supermarket. One of the best films I’ve seen in a long time, Shoplifters conveys a precise and significant message through no one particular specific viewpoint. I’m surprised I didn’t cry, but the story was far too sagacious for that. It planted an idea in my brain from the … Continue reading Shoplifters (Hirokazu Koreeda, 2018)